Thank you to all for making CCO’s 34th Festival Season a great success. We mounted five productions within three weeks and hosted appreciative audiences. The excellent reviews are in from the NY Times, Wall Street Journal, Superconductor, (Q) on Stage, and with more coming from Opera News, Opera (London), The New Criterion, and Opernwelt (Berlin) among others.
Thank you as always for your support and we look forward to seeing you next season.
CCO’s 2016 Festival off to an auspicious start!
CCO’s 2016 Festival is off to an auspicious start, with two completed productions that were critically successful and wonderfully well attended. Just ask Anthony Tomassini of the New York Times, who called our first two productions “vivid,” “daring,” and “compelling” in his review.
Audiences can continue to explore the rest of our compelling offerings in our three final productions: Sweat by Juliet Palmer / Anna Chatterton presented in collaboration with National Sawdust on October 26th and 27th, Love Hurts by Nicola Moro / Lisa Hilton at Symphony Space on October 28th at Symphony Space, and Cassandra Ground Zero by Eric Salzman / Eva Salzman at the Cell Theater on November 2nd.
We hope you will join us for one of these exciting programs, and thank you for your continued support!
The Center for Contemporary Opera’s 2016 season taking place this October will showcase four operas — two world premieres and two US premieres — to be staged in various venues throughout New York.
For details see our Season page.
Dutch director Jorinde Keesmaat has been named CCO’s first Guest Director in Residence. Supported by a €85,000 grant by the Netherlands Performing Arts Fund, Ms. Keesmaat will direct four operas over the course of the next three years. Her first project will be a double-bill of works from the esteemed Dutch composer, Louis Andriessen; Anais Nin and Odysseus Women which will take place in October 2016.
Ms. Keesmaat is director of the Concertgebouw Tracks series and has recently directed at Opéra national de Montpellier. She graduated from the College of Arts theatre direction department and her graduation performance The Honey Makers was shown at the Vital Theatre in New York.
For more information, please visit this link: http://www.operamagazine.nl/binnenkort/36729/keesmaat-wordt-gastregisseur-in-new-york/
National Endowment for the Arts Chairman Jane Chu has approved more than $82 million to fund local arts projects and partnerships in the NEA’s second major funding announcement for fiscal year 2016. Included in this announcement are Art Works awards of $14,000 to the Center for Contemporary Opera and $10,000 in support of a collaboration between Brevard Music Center’s Janiec Opera Company and the Center for Contemporary Opera.
The Art Works category supports the creation of work and presentation of both new and existing work, lifelong learning in the arts, and public engagement with the arts through 13 arts disciplines or fields.
This first grant will specifically support our October 2016 production of two works by the esteemed Dutch composer Louis Andriessen; Anais Nin and Odysseus’ Women conducted by Neal Goren and directed by Jorinde Keesmat.
The second grant was awarded to Brevard Music Center for the premiere of Falling Angel by composer J. Mark Scearce and librettist Lucy Thurber. Supported by a commission funded by the Virginia B. Toulmin Foundation, the co-production between Brevard’s Janiec Opera Company and the Center for Contemporary Opera will be the first collaboration by the two organizations. Students of the summer institute and festival will have the opportunity to work alongside professional creative and performing artists for the production.
We are very appreciative to the National Endowment of the Arts for their generous support.
It is rare that we have to replace one artist but even rarer that we have to replace two!
Maeve Hoglund who was singing the leading role in our upcoming production of “Black Water” is indisposed due to illness. We are delighted to welcome Laura Bohn to our cast. Laura is a resident of Amsterdam and just happened to be in the U.S.
Anyone that has recently seen “The Wildness” on Broadway knows that Lauren Worsham is expecting a child very soon and will be unable to sing the title role in Rachel Peters’ new opera, Wild Beast of the Bungalow. We are pleased to welcome the excellent soprano Donata Cucinotta who was previously cast as Wendy. Now singing the role of Wendy is Jenna Siladie who impressed so many of us at our recent auditions.
Thank you Laura, Donata, and Jenna!
Tickets are now on sale for our remaining season productions. Please visit our Season page for more information. We hope to see you there!